1607-1678 Flemish Erasmus Quellinus Gallery Related Paintings of Erasmus Quellinus :. | Portrait of Sister | The Almighty with Prophets and Sybils | Bar Room | During the Thirteenth Century | Landscap with Peasant and Horses | Related Artists:
John RuskinEnglish Romantic Writer and Painter, 1819-1900
English art critic. Born into a wealthy family, Ruskin was largely educated at home. He was a gifted painter, but the best of his talent went into his writing. His multivolume Modern Painters (1843 C 60), planned as a defense of painter J.M.W. Turner, expanded to become a general survey of art. In Turner he saw "truth to nature" in landscape painting, and he went on to find the same truthfulness in Gothic architecture. His other writings include The Seven Lamps of Architecture (1849) and The Stones of Venice (1851 C 53). He was also a defender of the Pre-Raphaelites. In 1869 he was elected Oxford's first Slade professor of fine art; he resigned in 1879 after James McNeill Whistler won a libel suit against him.
Giacinto Gigante (1806-1876) was an Italian painter. Gigante was introduced to painting by his father Gaetano Gigante.
His brothers Achille Gigante and Ercole Gigante also became landscape artists. He trained in the style of Hackert and was influenced by the technical drawing carried out at the Naples Royal Institute of Fine Arts.
Along with Achille Vianellihe was to be strongly influenced by a large colony of foreign painters then present in Naples including Huber and Pitloo. From Wolfgang Huber Gigante learnt watercolour technique and the use of the panoramic ?-amera lucidae method. Via Huber he met the Dutch artist Anton Sminck van Pitloo, who became his teacher for a few years. In 1823 Gigante won the Naples Royal Institute of Fine Arts drawing competition. In 1826 he displayed four works at the first Esposizione di Belle Arti. Reportedly though Gigante did not fit in well with the life of the Naples Royal Institute of Fine Arts and left.
Around 1826 he was living in Naples in Vicoletto del Vasto 15, with Van Pitloo, Carl Götzloff and Teodoro Duclere.
He is considered the foremost exponent of the 19th-century Neapolitan "Posillipo School" of painting.
Cornelis de BaellieurCornelis de BAELLIEUR (Flemish) Antwerp 1607-1671.